Did some major technical updates to the file system in FCP - and have sped up considerably the MXF files workflow. Essentially what I’ve done is limit the number of files imported and send off-line the unused MXF files. As soon as I figure how to, I will post a tutorial with screenshots etc.
I don’t like to overpromise to myself or others (and then risk to underdeliver – a recipe for disappointment) - but it does make it considerably easier/faster for me to assemble/edit the footage. So possibly move ahead of schedule or at least spend more time creatively – either option a positive.
The approach that I’ve taken so far is to do a standard edit first – i.e. as if we’re watching a normal drama – then go back to each scene/sequence and intercut the additional footage/angles to give the ‘thousand eyes’ feel (I might have already said this before…) – then go over once more to give the ‘this could be a dream/nightmare’ feel, which includes the most experimental component. This last part is aimed at overhauling and reinventing editing conventions (how’s that for a small ambition!) – so 3 levels of creative decision-making with a fireworks last effort.
It sounds a little mechanical (1-2-3; X-Y-Z?) – in reality it is more integrated – and in fact at times I’m doing all aspects at once. Plus, eye of the mind makes the movie – what’s inside my mind/soul/heart is desperate to reach the screen. And I’m not going to stick to rules – even my own.
I know – I know - I’m changeable and impulsive. But my ancestors were pirates and mercenaries (no hyperbole here – this is a historical fact) – so it’s in the blood - no apologies – because as the women who love me say, it’s my mercurial and relentless nature that gives me the X-factor…
So to date - parts of scenes already incorporate the multiple dimensions approach. Is it magic? Don’t know - but it is undeniably an interesting result…
Anyway - picking up speed…
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