Had wonderful time editing yesterday.
Spent over 6 hour uninterrupted and was able to edit three scenes and one sequence with multiple takes - multiple angles into – I reckon - a seamless whole - not without its challenges I might add.
There were scenes where the tail of one did not match the emotional intensity of the head of the next (great lesson learnt with regards to performances and direction of that performance across scenes shot out of continuity but which will then be cut together)
Thought I had it sorted – yet – there are small things like a body leaning in and then not leaning in – that I found jarring i.e. why would the character do that? And then you start to ask questions: how much time would need to elapse for the emotion to change to the next?
Also what can be done by un-synching audio from the visual? Namely, can the emotion be lessened if we only hear the words and see something else (not the body language)? The short answer is yes - but it depends!)
There were other takes where the emotional intensity – or whole performance really - changed mid scenes – but this was a plus as it enabled me to shift gears in the scene – which is the very essence of film making – the pure choices available to the director. – As I edit I must say that I am still spoilt for choice – yet to curse the director for not having covered this or that angle. Let’s hope it will all be this way.
As you read the above you can gather that I am moving beyond mere assembly and actually editing – oops – I was going to keep that a surprise.
The intention with regards to workflow was indeed to do a mechanical assembly but you know me - if you don’t you will now – ‘mechanical’ is not me - I just can’t resist temptation – after all ‘The path of excess leads to the tower of wisdom’
Or ‘If the fool would persist in his folly he would become wise.’
That William Blake was a wise man indeed…
However, this is still a (rough) rough cut – there are still many aspects that I haven’t even touched – yet it is far more than sticking things together.
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Absolutely brilliant news Phillip.
ReplyDeleteSo pleased your are "cutting to the chase"!
Cannot wait to hear more positive editing news.
Please do not give the Director to much of a hard time! He was under a lot of pressure to achieve a great deal in a small time on an extremely extremely tight budget.
Cheers John